graphite and watercolor on schoeller 2mm paper 50x70 cm

Thomas Cian

Milan-based artist Thomas Cian is extraordinarily talented with a pencil, and lucky for us he has chosen to open the pages of his sketchbook to share a wide variety of drawings and experiments online. Of particular note is his Moleskin sketchbook reserved solely for drawings of friends, where the 24-year-old renders faithful interpretations of individuals closest to him using nothing but graphite. You can see much more of his work on Behance and over on Facebook.

Rino Stefano Tagliafierro is an Italian experimental animator and director based in Milan. His output includes music videos and fashion videos. In addition to collaborating with teams and video artists creating interactive video projections for exhibitions, museums and special events, he has participated in many festivals and competitions, and has received numerous international awards in recognition of his work.

Pedro Covo was born in Cartagena de Indias -Colombia on 1988, graduated from Visual Arts in the Javeriana University of Bogota in 2011, made an online visual essay course in schoolism Canada on 2013 and have worked for several magazines and companies since 2008 in Colombia and abroad, such as EuroDisney, Der Spiegel, Tv Channel Historia in Quebec, Detroit Business, Reveu Long Course, Semana, El Tiempo, and many others

This new music video for composer Ralf Hildenbeutel's track Disco was created from over 1,200 individually hand-painted frames. Directed by Boris Seewald, the clip uses an animation technique called rotoscoping to turn the real-life movements of dancers Althea Corlett and Simone Schmidt into a series of drawings and paintings to make each scene.

Illustrator Dima Rebus was born in a small town in Russia in 1988 and graduated from art school in Moscow in 2011. He now works on a wide range of projects ranging from his personal artwork to illustrations for magazines and other publishing houses. I really enjoy the edgy, somewhat unsettling nature of his work, there’s a strange sort of tension in every piece that really makes it stand out. You can see much more over on Dima Rebus.