A handmade music video of approx 1250 paintings on paper for DISCO by RALF HILDENBEUTEL from the longplayer MOODS and EP MOODS - RETOUCHED THEMES. ralfhildenbeutel.com Directed by BORIS SEEWALD borisseewald.de

Animation MIWHA SEEWALD BORIS SEEWALD MINA SURI SEEWALD

Dancers ALTHEA CORLETT SIMONE SCHMIDT

Photography GEORG SIMBENI

Produced by SEEWALD & HANNA

Label REBECCA & NATHAN

© 2016 Seewald & Hanna UG ℗ 2015 Ralf Hildenbeutel

Disco

This new music video for composer Ralf Hildenbeutel's track Disco was created from over 1,200 individually hand-painted frames. Directed by Boris Seewald, the clip uses an animation technique called rotoscoping to turn the real-life movements of dancers Althea Corlett and Simone Schmidt into a series of drawings and paintings to make each scene. Despite the wild variety of mediums and techniques used in the hundreds of sketches, the frame to frame continuity almost serves to enhance and accentuate the motions of the dancers.

Rotoscoping is a form of animation where live video is translated into hand-drawn animation stills with the help of a projector or transparencies. Some more notable examples from pop culture include several scenes from both of Disney’s Snow White and Peter Pan, or the 1984 music video for Ah Ha’s Take On Me.

Disco was animated by Boris, Mina, and Mihwa Seewald, and filmed by Georg Simbeni. (via Vimeo Staff Picks)

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Imagine a “Bill and Ted’s Excellent Adventure” type situation where a young punk rock kid from Brooklyn finds himself time traveling back to 17th century Holland and stumbles into the painting studio of one of the classic Dutch Masters. Accepting this odd twist of fate, he dutifully studies the teachings and techniques of his mentor and eventually breaks out on his own, painting images of his earlier life in the future. Pure fiction perhaps, but the result is all real. Dan Witz has been painting just such work in his New York studio for decades. Masterfully composed scenes of epic mosh pits pieced together from reference photos take by the artist himself at punk-rock shows are painted with the detail and delicacy he cultivated during his studies as a classical painter.

Tristan Pigott‘s work is incredibly striking, provocative, and awkward. These oil paintings are blatant reflections of contemporary youth culture, revealing the careful narcissism of selfies and social media. The concept of portraiture is intertwined with the curated nature of the presentation of the self. Tristan is a British artist who takes traditional portraiture and turns it on its head, making calculated distortions from interesting perspectives to let personalities and personas shine through. The way he portrays his subjects, who are often his friends, is not necessarily flattering. (With no filter, so to speak.)

Illustrator Dima Rebus was born in a small town in Russia in 1988 and graduated from art school in Moscow in 2011. He now works on a wide range of projects ranging from his personal artwork to illustrations for magazines and other publishing houses. I really enjoy the edgy, somewhat unsettling nature of his work, there’s a strange sort of tension in every piece that really makes it stand out. You can see much more over on Dima Rebus.

Till Rabus Born in Neuchâtel in 1975 Live and work in Neuchâtel Switzerland

Phil Hale has been involved in the contemporary art scene for a few decades now. His impressive resume shows he has had his hand in many creative endeavors including illustrations in magazines