Nicola Caredda was born in Cagliari in 1981. He studied at the Academy of Fine Arts in Sassari and undertake an independent and singular pictorial search path rather secluded compared to the most popular movements by local artists of his age. Transcends reality using a dreamy-visionary language, creates dense special obsessively images that blend elements from distant expressive vocabularies, producing enhanced by an indecipherable suggestions enigmatic charge, a recognizable painting, individual things he painted based on specific encodings , not only artistic, but part of our customary view.
In his works hanging objects between the real and the surreal, between physics and metaphysics that tell the result of a reality of a vision of the whole inner and subjective. A personal metaphorical language to an alienating result and the same time appealing to a painting that tries to exorcise fear and anguish.
"The starry heavens above me and the moral law within me."
Mob. : 348 56 35 567
SOLNTSEV GLEB Contemplation, resonance and knowledge is the natural consciousness that was stressed and damaged by the wrong networks, by the waves of anxiety
Pedro Covo was born in Cartagena de Indias -Colombia on 1988, graduated from Visual Arts in the Javeriana University of Bogota in 2011, made an online visual essay course in schoolism Canada on 2013 and have worked for several magazines and companies since 2008 in Colombia and abroad, such as EuroDisney, Der Spiegel, Tv Channel Historia in Quebec, Detroit Business, Reveu Long Course, Semana, El Tiempo, and many others
Tristan Pigott‘s work is incredibly striking, provocative, and awkward. These oil paintings are blatant reflections of contemporary youth culture, revealing the careful narcissism of selfies and social media. The concept of portraiture is intertwined with the curated nature of the presentation of the self. Tristan is a British artist who takes traditional portraiture and turns it on its head, making calculated distortions from interesting perspectives to let personalities and personas shine through. The way he portrays his subjects, who are often his friends, is not necessarily flattering. (With no filter, so to speak.)
Carlos Revilla was born August 19, 1940 in Clermont-Ferrand, France, the son of a Peruvian diplomat and a French mother. His father’s profession took young Revilla to several countries in Europe, Latin America and the United States. Between 1956 and 1961 he was a student at the Royal Academy of Fine Arts in Amsterdam with his first exhibitions presented in Brussels, Paris and Rome. While living in Cadaqués, Spain, he formed a strong friendship with Salvador Dali, Man Ray and Marcel Duchamp who had great creative impact on him and his surrealist style. In search of his roots, from 1960 he traveled to Peru, the country he felt was his true home.
Anastasia Kopittseva was born in Russia in 1987. She studied at the Moscow Academic Art Lyceum of the Russian Academy of Arts and in the All-Russian State University of Cinematography and the British Higher School of Art and Design.
Imagine a “Bill and Ted’s Excellent Adventure” type situation where a young punk rock kid from Brooklyn finds himself time traveling back to 17th century Holland and stumbles into the painting studio of one of the classic Dutch Masters. Accepting this odd twist of fate, he dutifully studies the teachings and techniques of his mentor and eventually breaks out on his own, painting images of his earlier life in the future. Pure fiction perhaps, but the result is all real. Dan Witz has been painting just such work in his New York studio for decades. Masterfully composed scenes of epic mosh pits pieced together from reference photos take by the artist himself at punk-rock shows are painted with the detail and delicacy he cultivated during his studies as a classical painter.