for REMIX Magazine

Hedonismo

Hedonismo for REMIX Magazine

Photography : Tatu García

Collage : Lola Dupre

Stylists : Pamela Martinelli & Milva Russo

Make up artist : Melina Acuña

Hair Stylist : Florencia grosso for Melina Acuña make up Studio

Models : Benagy Benoit @ Visage Models, Manuela Hidalgo & Lemylie Sozah

Photo Retouching : Tuco Studio

Collage Retouching : Alina Kovban

Carlos Revilla was born August 19, 1940 in Clermont-Ferrand, France, the son of a Peruvian diplomat and a French mother. His father’s profession took young Revilla to several countries in Europe, Latin America and the United States. Between 1956 and 1961 he was a student at the Royal Academy of Fine Arts in Amsterdam with his first exhibitions presented in Brussels, Paris and Rome. While living in Cadaqués, Spain, he formed a strong friendship with Salvador Dali, Man Ray and Marcel Duchamp who had great creative impact on him and his surrealist style. In search of his roots, from 1960 he traveled to Peru, the country he felt was his true home.

L&P APRIL2014 Styling: BRUNO TARSIA By Lorenzo Pennati

EXHIBITIONS (SELECTION) Escape . Group Exhibition . Frappant (Hamburg) . Jun 2017 Raus 2.0 . Group Exhibition . Galerie23 (Hamburg) . May/Jun 2017 In meiner Erinnerung war mehr Streichorchester . Single Exhibition . Galerie 23 . Jan 2017 Okkult . Group Exhibition . Frappant (Hamburg) . Sep 2015 RAUS! . Group Exhibition . Galerie23 (Hamburg) . Aug 2015

Tristan Pigott‘s work is incredibly striking, provocative, and awkward. These oil paintings are blatant reflections of contemporary youth culture, revealing the careful narcissism of selfies and social media. The concept of portraiture is intertwined with the curated nature of the presentation of the self. Tristan is a British artist who takes traditional portraiture and turns it on its head, making calculated distortions from interesting perspectives to let personalities and personas shine through. The way he portrays his subjects, who are often his friends, is not necessarily flattering. (With no filter, so to speak.)