Exhibiting since 2000, Chris Scarborough has received reviews and been included in such surveys as Planet Magazine (2009), Hi Fructose Magazine (2009), NY Arts Magazine (2007 & 2006), ArtPapers Magazine (2006 & 2005), and New American Paintings (2010, 2008, 2004 and 2001) among others.
He has had recent solo exhibitions at Marcia Wood Gallery in Atlanta, Curator’s Office in Washington D.C., and Foley Gallery in New York City. He has also participated in group exhibitions and art fairs in New York, Chicago, Los Angeles, Washington D.C., Miami, Atlanta, London and Tokyo among others.
Scarborough’s work is part of numerous private and public collections including the Tennessee State Museum, 21C Museum, and the Tullman Collection, and is a recipient of the 2008 Artist Fellowship for the state of Tennessee. Scarborough is represented by Foley Gallery, New York, Curator’s Office, Washington D.C., and Marcia Wood Gallery, Atlanta, GA. He currently lives and works in Nashville, TN.
Pedro Covo was born in Cartagena de Indias -Colombia on 1988, graduated from Visual Arts in the Javeriana University of Bogota in 2011, made an online visual essay course in schoolism Canada on 2013 and have worked for several magazines and companies since 2008 in Colombia and abroad, such as EuroDisney, Der Spiegel, Tv Channel Historia in Quebec, Detroit Business, Reveu Long Course, Semana, El Tiempo, and many others
Illustrator Dima Rebus was born in a small town in Russia in 1988 and graduated from art school in Moscow in 2011. He now works on a wide range of projects ranging from his personal artwork to illustrations for magazines and other publishing houses. I really enjoy the edgy, somewhat unsettling nature of his work, there’s a strange sort of tension in every piece that really makes it stand out. You can see much more over on Dima Rebus.
Artist Statement My latest paintings drawings and objects respond to two concerns.
Imagine a “Bill and Ted’s Excellent Adventure” type situation where a young punk rock kid from Brooklyn finds himself time traveling back to 17th century Holland and stumbles into the painting studio of one of the classic Dutch Masters. Accepting this odd twist of fate, he dutifully studies the teachings and techniques of his mentor and eventually breaks out on his own, painting images of his earlier life in the future. Pure fiction perhaps, but the result is all real. Dan Witz has been painting just such work in his New York studio for decades. Masterfully composed scenes of epic mosh pits pieced together from reference photos take by the artist himself at punk-rock shows are painted with the detail and delicacy he cultivated during his studies as a classical painter.