Imagine a “Bill and Ted’s Excellent Adventure” type situation where a young punk rock kid from Brooklyn finds himself time traveling back to 17th century Holland and stumbles into the painting studio of one of the classic Dutch Masters. Accepting this odd twist of fate, he dutifully studies the teachings and techniques of his mentor and eventually breaks out on his own, painting images of his earlier life in the future. Pure fiction perhaps, but the result is all real. Dan Witz has been painting just such work in his New York studio for decades.
Masterfully composed scenes of epic mosh pits pieced together from reference photos take by the artist himself at punk-rock shows are painted with the detail and delicacy he cultivated during his studies as a classical painter. To the trained eye, one can spot extreme consideration for lighting and geometry in his works painted with the buttery goodness typical of oil paint. To everyone else, they’re just dope paintings of cool shit!
What’s possibly most impressive about Dan is his ability to straddle the high-end gallery market and the ever changing street art world without compromising either one and still managing to make all the work relate and stay consistent.
Where most artist have a “thing” they are best known for, Dan seems to create a new “thing” every couple of years. From his mosh pit paintings, to his street sign “interventions” and lamp-post candle vigils, to his genius series of “caged” people trapped behind vents and hidden throughout the city, the work of Dan Witz is nothing short of spectacular and promises to only get better with time.
SOLNTSEV GLEB Contemplation, resonance and knowledge is the natural consciousness that was stressed and damaged by the wrong networks, by the waves of anxiety
This new music video for composer Ralf Hildenbeutel's track Disco was created from over 1,200 individually hand-painted frames. Directed by Boris Seewald, the clip uses an animation technique called rotoscoping to turn the real-life movements of dancers Althea Corlett and Simone Schmidt into a series of drawings and paintings to make each scene.
Anastasia Kopittseva was born in Russia in 1987. She studied at the Moscow Academic Art Lyceum of the Russian Academy of Arts and in the All-Russian State University of Cinematography and the British Higher School of Art and Design.
Nicola Caredda was born in Cagliari in 1981. He studied at the Academy of Fine Arts in Sassari and undertake an independent and singular pictorial search path rather secluded compared to the most popular movements by local artists of his age